Yet it may be the very familiarity of such images—no one of which has particular ascension over another—that shifts the emphasis, in “Memory of the Camps,” to two sequences. Source

closed as unclear what you're asking by WendiKidd Jan 17 '14 at 1:06

Please clarify your specific problem or add additional details to highlight exactly what you need. As it's currently written, it’s hard to tell exactly what you're asking. See the How to Ask page for help clarifying this question. If this question can be reworded to fit the rules in the help center, please edit the question.

  • Please edit your question to pinpoint the specific part of the sentence you don't understand, so that we can get a better idea of what exactly is confusing you. Once you have done so, feel free to flag this question for reopening! – WendiKidd Jan 17 '14 at 1:07

My gloss:

We've seen images like these (those described in the previous paragraph) many times, and none of them stands out from the rest in our memory. This makes it so more of our attention falls to two series of shots (described in the remainder of the paragraph) when watching “Memory of the Camps”.