But Hannah Arendt accomplishes something rare in any biopic and unheard of in a half century of critical hyperbole over all things Arendt: it actually brings Arendt’s work back into believable—and accessible—focus.
Source: http://www.theparisreview.org/blog/2013/05/30/lonely-thinking-hannah-arendt-on-film/
Could you explain to me the bold passage from the bellow excerpt that praises the movie about Hannah Arendt. Does the "critical hyperbole" mean the way how the director treats the life of HA? And what about "Arendt things"? Is this phrase related to all biographies (in movies or in literature) dedicated to HA that have been made in the last 50 years?